Sardaar Ji 3 (2025) Movie Review
Introduction
IntroductionAfter nearly a decade of sardars, spooks, and screwball comedy, the Sardaar Ji franchise is back with its third (and possibly final?) installment — and fans couldn’t be louder. Directed by Amarjit Singh Saron and headlined by the unbeatable Diljit Dosanjh, Sardaar Ji 3 arrives in 2025 riding on massive expectations. This time, the makers throw in a younger romantic lead — the ever-viral Hania Aamir, while also bringing back franchise staple Neeru Bajwa and introducing Pakistani theatre legend Nasir Chinyoti to Punjabi moviegoers.
Packed with the usual suspects — haunted mansions, mistaken identities, flashy wardrobes, and ghostly goof-ups — this chapter promises more scale, more swag, and a lot more shouting.
But does Sardaar Ji 3 actually deliver something new… or is it just a repackaged ghost story with louder music and brighter turbans?
Summary
Sardaar Ji 3 picks up years after Jaggi aka Sukh (Diljit Dosanjh) hung up his ghost-hunting gear. But as every good franchise teaches us — you may leave the ghosts, but the ghosts don’t leave you. This time, Sukh finds himself dragged back into supernatural territory thanks to a haunted British-era mansion, some suspicious family inheritance, and, of course, a whole new mess of spirits who refuse to rest in peace.
Enter Zoya (Hania Aamir), a feisty, no-nonsense modern girl who is either the love interest, the catalyst for chaos, or quite possibly — both. Her arrival creates tension, chemistry, and confusion — especially for Sukh, who’s already trying to figure out why things keep floating, doors keep creaking, and dead people won’t mind their business.
Meanwhile, the ever-glorious Pinky (Neeru Bajwa) returns — ghostly or not, we won’t spoil — bringing with her emotional weight and nostalgic callbacks from the first two films. She adds complexity to Sukh’s journey, forcing him to choose between his past and his present.
But the real chaos? That starts when Sheru (Nasir Chinyoti) enters. A loud, fast-talking character straight out of Pakistani theatre, Sheru is either helping solve the mystery… or just making things worse with every line he delivers.
The film flips between horror-comedy and light family drama, with musical breaks that feel less like songs and more like personality showcases. From exorcisms gone wrong to love triangles that make no sense, Sardaar Ji 3 continues the franchise’s tradition of nonsensical logic, but irresistible energy.
But the real question is: Does this ghost story still scare or surprise us? Or has it become a haunted loop of recycled ideas and worn-out tropes?
One thing’s for sure — there’s a tractor chase, at least three scenes involving ghosts slapping people, and a high chance someone flies through a wall.
Performance Analysis
Diljit Dosanjh as Sukh
If there’s one thing Diljit Dosanjh doesn’t know how to do — it’s give a boring performance. As Sukh, he once again proves why he’s the face of modern Punjabi cinema. From ghost-hunting gags to emotional monologues (yes, there are a few), Diljit carries the film like a seasoned pro. His comic timing is still razor sharp, and his delivery — especially during those “ghost-bhaiya zara ruk ja” moments — makes even recycled gags land.
Hania Aamir as Zoya
Making her debut in Punjabi cinema, Hania Aamir is a breath of fresh air — and a strategic one. With her youthful energy, TikTok-ready expressions, and that playful confidence, she fits surprisingly well in the Sardaar Ji universe. Her chemistry with Diljit is decent, though not explosive — but her screen presence is undeniable.
She gets a few emotional beats and some solid punchlines, but the writing keeps her character surface-level. A missed opportunity? Yes. But as a debut, Hania does what she needs to: hold her own next to a Punjabi megastar, and leave fans asking for more.
Neeru Bajwa as Pinky
Ah, nostalgia. The return of Pinky is as emotionally effective as the writers intended — especially for fans of the original films. Neeru brings a calmness, a dignity, and that classic “I’ve seen all your nonsense before” energy to the role. Her chemistry with Diljit still works, and her presence gives the film a much-needed emotional spine.
Nasir Chinyoti as Sheru
Let’s be honest — Nasir Chinyoti steals the show. The Pakistani stage veteran brings his improv-heavy madness to every scene. He doesn’t follow the script. He attacks it with high-speed one-liners, exaggerated expressions, and that signature “did-he-just-say-that?” energy.
He’s not subtle, not refined — but who cares? He’s hilarious. Some jokes might not land for everyone, but for fans of desi theatre and Lahori-style comedy, Sheru is worth the ticket alone.
Supporting Cast
The usual suspects — ghostly aunties, confused pandits, angry landlords — do their jobs well. The background ensemble, as always, adds spice. But they’re all overshadowed by the main four.
Final Performance Verdict:
This is Diljit’s circus, but he’s finally got some co-stars who can juggle too.
Direction & Screenplay
Directed by Amarjit Singh Saron, who’s no stranger to Punjabi cinema’s tonal juggling act, Sardaar Ji 3 attempts to blend three volatile ingredients: supernatural mischief, romantic conflict, and satirical comedy. But here’s the challenge — unlike previous installments, this film tries to do too much, and that’s where direction starts to wobble.
From a directorial standpoint, Amarjit plays it safe. The setups — haunted house sequences, musical entries, comic interruptions — follow the franchise’s now-familiar rhythm. You can almost predict when a ghost will appear, when a joke will interrupt a tense moment, and when a song will crash into a dialogue scene like a dhol at a funeral.
There are moments where the film briefly flirts with brilliance — a flashback scene involving Pinky, a cleverly staged horror sequence in Act 2, or a meta-dialogue where Sukh questions whether this is all just “part 3 syndrome.” These glimpses show that Amarjit has vision. But they’re too rare and get buried under crowd-pleasing clutter.
The screenplay, penned by Jagdeep Sidhu, suffers from repetition. While individual scenes work, the broader arc feels like it’s spinning in circles. Characters get introduced with flair, but their motivations stay fuzzy. Zoya’s role oscillates between love interest and ghost-hunting partner without clear growth. Pinky, the emotional core of the first film, is reduced to emotional nostalgia drops. Even Sheru, despite being a riot, doesn’t evolve beyond comic distraction.
One major issue lies in tonal inconsistency. Some scenes build suspense beautifully… only to be undercut seconds later by a random fart joke or dhol beat. That’s a franchise thing, sure — but at this point, it’s like watching a magician doing the same trick for the fifth time. You’re not surprised. You’re just nodding politely.
Verdict:
Gorgeous to look at, dripping with personality — but VFX still haven’t caught up with the film’s ambitions. The swag is real, but the ghosts need a better CGI editor.
Cinematography, Visuals & VFX
If there’s one department that never phones it in, it’s the visual team behind Sardaar Ji 3. Whether the jokes land or not, the film always looks good.
Shot by Baljit Singh Deo, the cinematography is vibrant, theatrical, and sometimes even beautiful — especially in the haunted mansion sequences. Wide-angle shots of fog-drenched fields, candlelit corridors, and over-the-top set designs give the film that signature “Punjabi fairy tale” feel. Everything is over-saturated and highly stylized, but that’s the point — Sardaar Ji films were never meant to be subtle.
Lighting plays a key role in balancing the horror-comedy blend. Blue-and-purple glows signal spooky scenes, while golden filters bathe romantic or musical moments. It’s a very on-the-nose color treatment, but it works for this genre — bold, bright, and meme-friendly.
Costume design deserves a shout-out too. Diljit’s wardrobe is basically its own character: fur jackets, designer turbans, mirrored glasses in the middle of the night — if nothing else, the man came dressed to slay ghosts and Instagram. Hania Aamir, too, gets a modern glam look that stays rooted in desi appeal. Pinky’s look is toned down but elegant — a nice contrast to the younger leads.
Now the VFX… well, this is where the cracks show. Some ghost effects are genuinely slick — especially the floating knife scene and a ghostly transformation involving a mirror. But others? Cartoonish. There’s a poltergeist moment involving kitchen utensils that looks like it was rendered on a budget PC during a load-shedding hour in Lahore.
Verdict:
A solid, Spotify-friendly soundtrack, carried by Diljit’s voice and MixSingh’s beats. Not groundbreaking, but it’ll dominate wedding playlists and Instagram reels for months.
Music & Background Score
Music has always been the secret sauce of the Sardaar Ji franchise, and in the third installment, it’s more stylish, more viral-ready, and more Diljit than ever. With MixSingh handling most of the soundtrack, and Diljit himself lending vocals to every track, the album feels custom-built to go trending on Reels before the second chorus hits.
Let’s start with the title track — a bhangra-laced banger that drops hard and fast. It’s loud, colorful, and full of swagger. From the dhol-heavy beat drops to the catchy hook line (“Mainu kehnde ne Sardaar Ji…”), it’s already become a dance floor favorite. Paired with a visually rich music video full of jackets, jeeps, and juttis, it’s Diljit-core at its finest.
Sohni Lagdi, the romantic number with Hania Aamir, brings a softer touch. It’s sweet, breezy, and gives the film a welcome emotional pause. But truth be told — it feels a bit safe. Beautiful to hear, but not necessarily memorable beyond the cinema.
Daaru Mukgi and Pasoorian are your standard party anthems — high on rhythm, light on substance. Fun in the moment, but forgettable the next day. On the other hand, Bahana surprises with its melancholy tone, giving a brief glimpse of emotional depth that the film doesn’t fully explore.
Now for the background score — it does its job. It knows when to creep in with spooky sounds (church bells, whispers, dramatic violin swells) and when to crank up the tempo during ghost chases or comic fights. But it never elevates the scenes — it simply follows them.
Verdict:
solid, Spotify-friendly soundtrack, carried by Diljit’s voice and MixSingh’s beats. Not groundbreaking, but it’ll dominate wedding playlists and Instagram reels for months.
Themes & Messages
While Sardaar Ji 3 dances through haunted hallways, dhol beats, and over-the-top comedy, there are a few underlying themes trying to peek through the chaos — though let’s be real, they sometimes get buried under sherwani buttons and slapstick one-liners.
The most obvious theme is legacy vs. change. Sukh (Diljit’s character) constantly finds himself torn between who he was (ghost-hunter, lover, accidental hero) and who he’s trying to become — someone more grounded, mature, and perhaps… emotionally available? His return to the supernatural world isn’t just a plot device — it reflects the pull of the past, especially when you haven’t really moved on from it.
Then there’s love and second chances — Pinky and Zoya represent two very different aspects of Sukh’s journey. One is nostalgia; the other, possibility. And though the movie doesn’t dive deep into this triangle, it flirts with the idea that maybe moving forward means letting go.
Also worth noting: the inclusion of cross-border talent (Nasir Chinyoti, Hania Aamir) brings an unspoken message of collaboration over conflict — a big win in the current political climate. The audience might laugh, but somewhere between the jokes, there’s an unspoken unity happening.
Verdict:
The themes are there, but Sardaar Ji 3 doesn’t preach — it winks, dances, and runs off before you get too serious.
Audience Reaction & Cultural Buzz
You know a movie’s impact not just by ticket sales, but by the chaos it causes on Instagram, YouTube, and the battlefield known as X (formerly Twitter) — and Sardaar Ji 3 is no exception.
On day one, fan pages exploded with edits of Diljit’s title track entry. Memes flooded in featuring Nasir Chinyoti’s one-liners, and romantic reels started popping up with Sohni Lagdi playing over slow-mo shots of Hania Aamir flipping her hair. Classic desi digital culture.
The YouTube comment section under the official trailer reads like a warzone — half the people praising Hania’s entry and Nasir’s comic timing, and the other half upset about Neeru Bajwa’s limited role. And of course, there’s the “Neeru vs Hania” drama — remember when Neeru Bajwa unfollowed Diljit and Hania and pulled the trailer off her feed? That PR mess became part of the movie’s story, whether the studio liked it or not.
On the Pakistan side, Nasir Chinyoti fans are celebrating his Bollywood-Punjabi crossover moment, hailing him as “Lahore’s Diljit.” Meanwhile, Indian fans are debating whether this installment beats the first two.
Overall? Whether people loved it or roasted it, one thing’s clear: Sardaar Ji 3 got everyone talking — and in today’s attention economy, that’s half the battle.
Final Thoughts
Sardaar Ji 3 is like that overenthusiastic cousin at a wedding — loud, funny, overstyled, and absolutely refusing to let anyone else get a word in. It knows its job is to entertain, and it throws everything at the audience — ghosts, gags, jackets, jhumkas, jealousy, and jalebis. Sometimes it hits, sometimes it misses, but it never stops trying.
Diljit Dosanjh remains the franchise’s backbone — his charisma alone can carry even the flimsiest plot. Hania Aamir’s addition brings new-gen appeal, while Neeru Bajwa delivers class in limited screen time. And then there’s Nasir Chinyoti — the wildcard who injects pure, unfiltered chaos. The direction plays it safe, the writing wobbles, but the energy? Unmatched.
Sure, the film doesn’t reinvent the wheel — heck, it doesn’t even turn it. But what it does is give fans what they came for: laughs, loudness, and lovable lunacy. If you’re looking for realism or depth, look elsewhere. If you want two hours of full-Punjabi madness? This is it.
On day one, fan pages exploded with edits of Diljit’s title track entry. Memes flooded in featuring Nasir Chinyoti’s one-liners, and romantic reels started popping up with Sohni Lagdi playing over slow-mo shots of Hania Aamir flipping her hair. Classic desi digital culture.
The YouTube comment section under the official trailer reads like a warzone — half the people praising Hania’s entry and Nasir’s comic timing, and the other half upset about Neeru Bajwa’s limited role. And of course, there’s the “Neeru vs Hania” drama — remember when Neeru Bajwa unfollowed Diljit and Hania and pulled the trailer off her feed? That PR mess became part of the movie’s story, whether the studio liked it or not.
On the Pakistan side, Nasir Chinyoti fans are celebrating his Bollywood-Punjabi crossover moment, hailing him as “Lahore’s Diljit.” Meanwhile, Indian fans are debating whether this installment beats the first two.
Overall? Whether people loved it or roasted it, one thing’s clear: Sardaar Ji 3 got everyone talking — and in today’s attention economy, that’s half the battle.
Final Rating: 4.5/5
Final Rating: 4.5/5Not flawless. Not deep. But fully paisa-vasool.